Pop consumer confession again: I am not well versed in Diaframma’s work. It wasn’t destined for export, like Italian hard-core punk. Diaframma remained inside their homeland boundaries.
“Siberia” is recognized as capolavoro of Italian new wave / postpunk. Upon initial listening I wasn’t impressed but once I started to recognize signs of life underneath thin copertina of icy reverb the picture fell into place. Eight songs in half an hour, quite fitting for a Sunday afternoon indoors in allegedly depressive month of January. (Finally with some snow and chill in the air outside, as proper winter should bring. Where have all the seasons gone? You can have six months of fake summer. I want four seasons back!) But as I said, “Siberia” isn’t immediate listening experience and an impulsive savage/naturalist in me wished for the rough mixes or 8-track garage recording of instrumental tracks. The studio recording gives aura of the group scattered across a large freezing empty space with the strongest echoes emanating from the singer. Synthscapes are very tasty but barely audible on few tracks. Bass slaps I dig, as usually. The leader in the band, prolific songwriter / guitarist (in later line-ups on vocals as well), Federico Fiumani, decided to suppress the rock ego and toned down the role of guitar in this arty stage of Diaframma. And although the songs gathered for their debut LP have wintry pace, the group energy captured on other recordings generally reveals lively and forward oriented shape-shifting dynamic. I wouldn’t say that Diaframma were bunch of depressed Italian youth thou. First and foremost, their main muse seems to have been Venus. Followed over the span of the decade, they can be valued as Italian contemporaries of Echo and The Bunnymen, The Cure, Simple Minds and The Wedding Present. I suspect that they were cherished on a local level. Early Diaframma shares some common ground with Pingvinovo potpalublje too. In mid 1980s their vocalist was very distinctive Miro Sassolini who gave Diaframma touch of romantic glamour. But for the purpose of “Siberia” even he was a bit down. (on songs like “Elena” or radio friendly “Tre volte lacrime” which followed after “Siberia”, he flies despite the heartache, and pulls the band higher off the ground). I might check other albums by Diaframma one day. I hope I won’t be disappointed by overtly populist moves. Diaframma = drama.
Saturday night in a discotheque in Bologna, Italia.
Italo Disco d/evolution of Gaznevada? Non mi frega niente. Mi piacciono i sintetizzatori italiani.
Psicopatico Party (1983) Italian Records
I.C. Love Affair
Sick Soundtrack (1980) Italian Records
An important New Wave recording for Bella Italia, I’d say (as a casual retro listener / onlooker). There is only one cardinal sin – Gaznevada gave up on the mother tongue entirely on their debut album which leaves me a bit heartbroken everytime I listen to “Sick Soundtrack”. During the time of finding their own voce dadaistico, the band were trying out new sounds arriving from USA so one can hear traces of Devo, Talking Heads, Ramones, James Chance & The Contortions, Blondie etc.
Pordenone UFO Attack
Now I Want To Kill You
Nevadagaz / Blue TV Set (1980)
A great single.
Blue TV Set
Gaznevada (1979) Harpo’s Music (tape)
The opening number “Everybody Enjoy The Reggae Music” could be an obstacle because they couldn’t pull off white reggae nor make fun of it properly. It’s simply a warming up track for wild Gaznevada ride. Dada punk-rock bolognese presented on this tape was already quite competent. Plus Gaznevada here sang in Italian, la lingua di popolo!