Doomtown Records – survivalist punk label from Zagreb NOW!, that has been around for 10 years or so. Three recent releases issued last summer plus one Cold War bunker re-issue.
If I had a cassette deck player…
Above average minimalist art punk. Playful. Moglo je biti snimljeno u u studiju “Druga maca”. 1981. Artistička radna akcija – pozdrav iz Zagreba!
Belgrade’s hardcore punk tradition lives on. U svakom slučaju, ugodno iznenađenje za mene. Sviđa mi se kad mi ne bude prijatno, ponekad.
Apsurd’s Derealizacija/Svemu će doći kraj 12″ is the band’s first output in the form of vinyl format. Actually, it’s a collection of two EP’s. A-side brings you six songs previously released as a tape “Derealizacija” while the B-side includes six entirely new songs recorded last year in the bands practice room on primitive 4-track machine.
THE CELETOIDS (Zagreb)
Lautarpunk rules! Always awesome, in any band format or appearance.
And back from the grave:
Occult electronic session ’88. Darkwave. Theatrical Synth Pop/EBM crossbreed. Goth. Gloom. Confessions of a mask. Doom. Noćas me nazovi crnim stršljenom!
Doomtown’s reissue version of this tape is the official reproduction of the 1988 tape remastered from the original master tapes and approved by the band and Gorjan Krstić. Limited to 125 copies!
Will you survive? A couple of electronic songs or even full albums [via Fox & His Friends], for (temporarily) socially distanced and self-isolated version of clubbing, might occupy your extra free time indoors. First the esoteric political theory mixed with pop art [via NEP] and then the (living room) dance floors.
Fox & His Friends releases music without genre boundaries, tends to discover rare, obscure and forgotten stuff, the sounds that have timeless value, both contemporary and vintage. All releases are made from original master tapes, carefully remastered and pressed to please the smartest of music connoisseurs. The label is run by Leri Ahel and Željko Luketić, long time professionals in the field. Label offices are in Rijeka and Zagreb.
NEP were founded in Zagreb, New Europe in 1982. The members and collaborators of the collective were from all over Yugoslavia. In New Europe, allegedly, everybody is in. NEP became more visible in the second half of the decade. I accidentally omitted NEP from the “cul-de-sac” Zagreb post. Here they are in a deluxe LP edition, for your vintage industrial archive:
NEP was a loose multimedia collective formed in 1982 Zagreb, ex-Yugoslavia. The founder Dejan Kršić collaborated with various artists in a quest of re-thinking the stale concepts of art history, position of the author and the barriers between pop and elitist high culture. Heavily influenced by Walter Benjamin and Andy Warhol in theory and Brian Eno and Kraftwerk in music, Kršić created NEP as an umbrella term (NEP meaning Nova Evropa or New Europe) of diverse rule-breaking activities, covering graphic design, music, photography, video, news-media and theoretical work. Musically NEP focused on experiments in ambient and tape-music, self-released and on hard to find compilation tapes like “The Cassette Played Poptones” (1988). Deeply immersed in pop-culture, politics and art theory Dejan Kršić’s search for perfect pop music with cutting critical edge peaked in 1989, the year ‘Decadance’ track was conceived in studio. Fox & His Friends team (Leri Ahel & Željko Luketić) published the extended 12” single in 2017 with Snuffo Remix on B-side. It received rave reviews in music media like MixMag and DJ Mag and it is still played on dance-floors around the world. But the story around the NEP is musically (as well as artistically) much wider: for the first time Fox & His Friends team compiles best cuts from unreleased and rare NEP self-released tapes, covering the period from 1985 to 1989 on seminal POP NOT POP album...
NEP samples from self-released “Nova Evropa” (1988) / VA – “The Cassette Played Poptones”(Sestra Wazelin, 1988):
What about capitalist realism? Is there really no alternative? Is it possible to imagine an alternative to capitalism that is not some throwback to discredited models of state control?
Beograd: The Master Scratch Band
Recorded at “Druga maca” studio in Belgrade and originally released as mini-LP “Dégout” by Jugoton in 1984.
Fox & His Friends in collaboration with Jugoton dived deep into archives and is releasing a full, complete version of the rare “The Breakwar” tape, with tracks “Tonight” and “Pocket” never pressed on vinyl, all sourced from original studio reels. This is not „Dégout“ 12” repress, but complete studio album that was never meant to happen, up until now. With the kind help of Zoran Vračević on credit list and liner notes, this is now the ultimate The Master Scratch Band album.
Equipment used: Commodore 64 Computer, Roland MC-4B Microcomposer, Prophet Pro-One, RSF Cobol II Expander, Korg Mono-Poly Synthesizer, PPG Wave 2.3 Synthesiszer, PPG Waveterm Computer, Boss DE-200 Digital Delay, Drumtraks Digital Drum Machine, Roland TR-808 RH. Composer, Electro Harmonix Vocoder, Linn Drum MKII, Juno 60, SH-101, SVC-350, VP-330 Vocoders, Polysix & MS10, Simmons drum module
Are you perhaps a (nostalgic) dancing queen? 40+ party time!
Alternative backside title: “Socijalistički disco. Ples iza jugoslavenske baršunaste zavjese 1977.-1987. Odabrali Leri Ahel i Željko Luketić.” All tracks licensed from Jugoton / Croatia Records. Mastered from original studio reel tapes. Tracks D2 and D5 were originally published only in cassette format. All photographs are authentic vintage technical inventory of disco club Neboder in Zagreb, from the personal collection of Dušan Cvetojević. Gatefold sleeve with glossy cover.