Last year Freaks R Us (The Pop Group themselves) re-issued “For How Much Longer Do We Tolerate Mass Murder?” (1980/2016) which was far too long out of print. They didn’t stick to the song sequence of the original album: “One Out Of Many” track is out, “We Are All Prostitutes” single is now in. I won’t miss the former much – it would have worked better as B-side material even first time around (for example “Forces of Oppression” could have been A-side of never planned single). Freaks R Us really could have included both songs and added other time period related songs for the CD issue thou. CD format easily tolerates extra minutes of music. Anyway, in many cases I liked the record industry practice (or wish of the artists) in UK which kept strong (lead) single separate from the album, as had happened with fiery “She’s Beyond Good And Evil” single & “Y” LP the year before.
For the purpose of refreshed listening experience I’ve also re-imagined this album as 8-song mini LP (cut at 45 RPM!):
A2 Blind Faith
A3 How Much Longer
A4 There Are No Spectators
B1 Forces Of Oppression
B2 Feed The Hungry
B4 Rob A Bank
A We Are All Prostitutes
B Amnesty International Report
Boys (still teenagers!) from Bristol didn’t like to be pigeonholed. They did hate word “rock” and what it had represented in their minds. With fucking passion! Were they good at it? Brilliant! Kudos. “For How Much Longer Do We Tolerate Mass Murder?” (1980) album is as good as “Y” (1979) and as relevant today as it was almost four decades ago.
Boys Next Door (the Birthday Party), the Reactionaries (Minutemen) & perhaps Šarlo akrobata and Trobecove krušne peći from around these parts, among many other bands and music fans all around the world were in total awe!
Remind yourself of The Pop Group greatness and support the recent re-issue from Freaks R Us. Every record shop in town should have The Pop Group in stock for the sake of mental health of the dwindling new generations interested in groundbreaking and mind-blowing music. “For How Much Longer Do We Tolerate Mass Murder?” is a cultural treasure in pop (!?) music. The tags and genre classifications are arbitrary here anyhow.
The last album “Honeymoon On Mars” (2016) ended up a victim of the studio approach in pop song-craft with too many unnecessary layers of electronic sounds, overdubs and banal samples. A step back from unexpected and decent (but symptomatically slicked) return with “Citizen Zombie”. Symbolic opposition and defiant stance would work better in live context (in studio controlled environment) in my humble opinion. I definitely like a poke of straight forward electronic tracks (e.g. “Zipperface”) but the album as a whole may be experienced as continuation of Mark Stewart’s solo albums rather than The Pop Group album. Listening to “Honeymoon On Mars” is like waiting in vain for the vital electricity of simple guitar/bass/drums setup (with a touch of electronica) to surface and rip up overbearing and predictable digital everything of everyday existence. No sweat and other body fluids on the bed sheets in the end. I wish that the sound aesthetic of this particular recording were in total opposite to the intentionally repulsive and frightening cover art. Nice effort thou. What I want I could get in concert, I guess.
For how much longer do we tolerate mass murder?
Until the bitter end. It seems.
“History doesn’t repeat itself, man always does.” – Voltaire
(via David Peace)